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| https://www.facebook.com/photo.php?fbid=356000544494380&set=a.349906868437081.82777.100002533122213&type=1&theater |
那些年，功夫片，黑社会片，僵尸片， 赌术片，爱情喜剧，低俗喜剧，都跑到哪里去了？？？
答案很明显，不用多说。
近几年，我们看了很多合拍片，有制作严谨的，有表现平平的。但是，缺乏了让海外华侨共鸣的熟悉感。这熟悉感就是来自在1970年至2000年，30年的百花齐放的港产片。
要放弃创意，还是金主，这个要看香港导演的智慧了。
我只能温馨提醒，如果香港电影持续朝向“大中华电影”的方向，几年之后，我们会没有香港电影。到时，我们只能看怀旧电影，来重温美好回忆。
Why, why, tell me why?
Why Hong Kong no good movies ah?
Ever since Hong Kong and China collaborated in producing movies, it seems film audience to be losing out in good stuff.
It is not to say that there are no good movies but those productions unable to connect overseas Chinese audience emotionally.
The answer is clear. If one collaborates, there are genres that have to be dropped.
Cops can not turn bad, vampires do not exist, characters must not be vulgar.
That is why Pang Ho-cheng's Vulgaria reminds us the true Hong Kong films still exist.
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| Pang Ho Cheng's Vulgaria |
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